Sunday April 12 from 10:00 am – 3:00 pm
But First, Coffee with Brian Wood of Dogs & Stars
A caffeine-fueled letterpress printing workshop with Brian Wood. Print your favorite coffee quote! Students will use wood and metal type to create a print (just about any size) exclaiming their need/passion/love for coffee. Students will take home ready to frame one-of-a-kind letterpress prints. And of course, coffee will be served!
This 3 color print was a great printing experience. I got to use the Book Arts League’s Vandercook SP-15, which is awesome. We got the snowflakes (and much more) from Moore Wood Type, who gave us a generous discount on his 2014 “Hellbox.” A Hellbox – in modern times – means a bucket of type less than perfect, not fit to sell as per the manufacturer’s specs, but not so bad that you need to discard it. But each piece printed so beautifully the untrained eye would never know there were any imperfections at all. I chose a design like this to show off how magical letterpress can be, playing with impression and the overlaying of colors as only this style of printing process can naturally achieve.
The snowflakes were printed first and at the December open house I printed the red type. The paper was generously donated from Leanin Tree greeting card company (based in Boulder). So a lot of love went into this year’s card. For the type, I used some French Antique by William H. Page from my personal collection. –Brian
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Our coffee-inspired workshop on this beautiful fall afternoon yielded high-energy and creative results! For starters we served up some tasty, locally roasted coffee from Proper Grounds and some pumpkin bread from Tee & Cakes. Workshop participants delved right into the letterpress world and had a chance to print two color posters – complete with some with experimental diagonal type printed on the Shniedewend and Lee 8×12″ platen press. Folks could meander through Dogs & Stars’ bonus bounty of wood type (from 6 line to 25!), borders and ornaments as well as the Book Arts League’s 11 ton collection of lead type. We got to use the Vandercook, Nolan proof press as well as the “clam shell.” Today was a highly productive class with as much fun as it was entertaining to see what our coffee connoisseurs were able to produce.
Please check out our other upcoming classes here. Learn to print and bind with the Book Arts League!Read More »
We were recently asked to be featured in the The Doctor T. J. Eckleburg Review, which is an online and print literary and arts journal housed at The Johns Hopkins University.
Interview Link Here
SPOTLIGHT | Book Arts League
June 26, 2014 by Chelsey Clammer
In 1990, Julia Seko and Brian Allen led a resurgence of interest in the book arts. In particular, they were interested in the mechanics, meanings and preservation of the Eaves pressroom. A Denver physician, Dr. John Evans, and his wife Thelma had a love and appreciation of Persian art and poetry. This admiration led John and Thelma to Boulder where they would befriend an Iranian scholar, Mehdi Nakosteen, who was The University of Colorado’s director of publications. This group of friends started meeting at John’s house in order to discuss not just their love for the written word, but for the actual books themselves. At these gatherings, John would show his friends his intricate letterpress, and the guests would also look at his wonderful book collection. Thelma, too, showed the group her own involvement with making books. She gave demonstrations of her binding techniques. Eventually, John and Thelma started printing Mehdi’s book Dust and Destiny.
Before the book could be completed, however, John died in 1967. Close friends of John’s wanted to keep the press going, but found it difficult and time-consuming. After four months, they decided to move the letterpress to Boulder where Este Es Press could have a home at a university.
From starting around the 1970’s and until 1996 many successes and challenges occurred to Este Es Press. After the press equipment was donated to University of Colorado’s Norlin library, there was an upswing of success—enough so that the Colorado Typographical Society was born. The Este Es Press continued to publish books until Mehdi, who had become the leader of the organization, died in 1982. After a year of dormancy, Nora Quinlan became head of Special Collections at Norlin. Her interest in rare books and letterpress printing led to the creation of the Eaves Press, named for its location under the eaves of Norlin’s third floor.
Around 1990, Julie Seko and Brian Allen led a resurgence of interest in the book arts, particularly the operation of the Eaves pressroom. This led to the formation of the present organization, the Book Arts League (BAL). Allen served as the League’s first president.
In 1996, Norlin Library decided it could no longer house Eaves Press. Concerned that the Eaves equipment might be disposed of, BAL reached an agreement with the University in which the League assumed ownership of the Eaves Press collection and moved it into storage. Operating under the auspices of Friends of the Libraries, BAL continued its educational and creative activities during the multi-year search for a permanent home. Interested in this organization and the world of book arts, I interviewed Seko in order to learn more.
Chelsey Clammer: What exactly is “book arts”?
Julia Seko: The Book Arts League considers “book arts” any of the arts or crafts traditionally associated with the making of books—letterpress printing, bookbinding, calligraphy, papermaking, paper decoration, etc.
CC: What does the Book Arts League do?
JS: Our mission statement says it best. BAL is “a nonprofit community arts organization working to preserve the historic tools and crafts of the book arts, including printing, typography, bookbinding, and papermaking, from which spring the literacy and communications technology on which modern society is built.”We offer workshops, lectures, open houses, outreach, and other activities that promote the book arts. We also collaborate with other book arts/arts organizations and local groups to bring special events and artists to the area.
CC: What types of classes does BAL teach?
JS: Over the years we have had classes in letterpress printing, bookbinding, western and Asian calligraphy, book repair, artist’s books, paper marbling, and paste papers.
CC: What are some of the ways a book can be restored?
JS: The League regularly refers people to local professionals and places that provide this service. We also keep in touch with other groups, like the Rocky Mountain branch of the Guild of Bookworkers. We’ve also had a class in basic repair, prompted by a request from the public.
CC: What are some of the different forms in which a book can be bound?
JS: There are traditional forms like codex, scroll, accordion, and stab binding, and also nontraditional forms for some artist’s books.
CC: What are some of the most interesting books you’ve seen over the years?
JS: Of the books I’ve personally encountered, a few are Firedogs by Ken Campbell, Fluxus 1 by George Maciunas, Dr Strange comics illustrated by Steve Ditko, Songs of Innocence and Experience by William Blake, Silence by John Cage, and Arm in Arm by Remy Charlip.
CC: If someone was interested in learning more about book arts, what steps would she need to take in order to become involved with a book arts organization such as yours?
JS: We list workshops, open houses, and other activities on our website—all are open to the public and many are low cost or free. Come and meet us.
Julia Seko has been involved with books for most of her life. She has worked in book publishing, been a technical editor and freelance editor/proofreader, and she also works in a university library. Her earliest bookmaking efforts were collaborative scrolls of butcher paper demonstrating the “speed of cheese” and a flip book of a figure jumping off a cliff. She is a letterpress printer and book artist and prints odd things out of her letterpress shop PS Press. She teaches letterpress printing through the Book Arts League and at Naropa University.Read More »